A visit to The Printed Word
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Image courtesy of Google. |
As I remarked on Twitter following that first stop-in,
the sight of small press titles as I entered was pretty exciting. And that
sense of discovery deepened as I walked further into the storeās large,
rectangular footprint. With its high ceiling and relaxed
quiet, allowing the muted sounds of King Street to drift through, The Printed
Word offers a peaceful reading atmosphere with adequate room for
conversation. Now Iām not the most outgoing person in the world but, within
minutes, I found myself asking James McDonald, the shoppeās owner, just how he came into
possession of some of these titles... Like the copy of Dreams Surround Us, a
collaborative collection by John Newlove and John Metcalf (that I didnāt know
existed), signed by both authors.
Wide, 8-foot shelves made up the storeās perimeter, with
each on the eastern-facing side dedicated to poetics from different areas of
the globe. I confined myself to the Canadian shelves in order to keep focussed.
But the selection was overwhelming, so much so I wish Iād brought my camera to
document the many titles that stopped me cold at various points. Luckily, some
of the best examples are items I brought home:
Consider Each Possibility by Cameron Anstee (Baseline
Press)
A shared appreciation for the poetry of Cameron Anstee
got James and I chatting about Nelson Ball and minimal poetry in general. As it turns
out, James is also a publisher and issued Ballās first childrenās book, A Vole
On a Roll, through his Shapes & Sounds Press. How did I miss this?
Of Light by Robert Hogg (Coach House Press)
Beautiful, hardcover collection I'd never seen before.
Religion is another subject close to James' heart, as The Printed Wordās Religion section makes clear. He showed
me at least four different translations of this ancient Chinese text to ensure I was getting the right one.
Her first book! 1977!
On the way to the register, James picked out this
chapbook and said, simply, āyou need thisā. Following our conversations about poetry
and religion, I pretty much took him at his word. But glancing inside, I could
see how Ewing, by using just a handful of words per poem, creates abrupt but transient
collisions that leave a larger shadow in the readerās imagination.
Hamilton has many noteworthy, independent bookstores and
each maintains a consistent impression. They're all āeclecticā
in what they carry but the scope of that descriptor expands or shrinks on a case by case basis. The cityās
new-only bookstores tend to lean on a handful of trendy genres (like young adult and biography) without much regard for
other subjects. Conversely, used-only bookstores get bogged down in stock of all sorts (a
lot in ābargain conditionā) and become treasure-hunts. I usually spend
fifteen minutes in the former type and two-plus hours in the latter.
The Printed Word is unique on at least three counts:
1) it seamlessly integrates both new and used books, 2) feels richly curated as a single collection,
and 3) doubles as a childrenās bookstore (a partitioned back-room is dedicated
to kidsā books). Having left behind at least twice the number of books I purchased, I know any time spent rooting in good faith will be rewarded. Tidy but
charmingly rustic, airy but brimming, The Printed Word cannot be pinned to a single strength. And that's why it has instantly become one
of the best bookstores in Hamilton.
Further reading: An interview with James and great photos can be found at urbanicity Magazine.
Further reading: An interview with James and great photos can be found at urbanicity Magazine.
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